I recently had pictures taken to assemble a comp card, which is basically something that is presented at auditions and agencies as my professional calling card. There are generally four categories of images that are on a card like this: 1) headshot, 2) torso and above shot, 3) side profile, and 4) full body.
These images should be natural and minimalistic, which is why I am wearing basic makeup and typical audition attire in these pictures: black tank, jeans and black pumps. It is also okay if these pictures show a little natural personality, especially in the Midwest.
Jenn Robbins is one of the first few people I met and befriended in the fashion industry in Kansas City. I always appreciate connectors and entrepreneurial women who champion other women – Jenn is this all day long. Among the many things she does (a few being, getting her degree, modeling, running a couple businesses, and graphic designing), she is a fantastic photographer. She makes the process comfortable and safe, and she is truly committed to make you look and feel your best in the pictures she takes.
Oh, and she also is a fire performer. Yep, you heard me.
I am including her contact info at the bottom of this page. You will be glad to have met her. Please tell her I sent you.
Also, these pictures would not be possible without Heather (IG: @heatherbcurvy). To me, she falls in the same category as Jenn – someone I am so grateful to have gotten to know. She is kind, supportive, and a wealth of information and experience. She was at this shoot, moving this wild hair of mine out of my face and coaching me as Jenn took pictures: “Now, open your mouth a bit, turn a little more, pop your hip to the right, keep your arm there, you’re doing great…”
Honestly, I cannot say enough about these two women.
On to these pictures…Would you mind giving me your feedback on which pictures I should use for my comp card? I have my favorites, but I want to see what you think. Leave your votes in the comments here, or in the comments on my IG or FB page. I put letters with each picture to make voting easy.
A year ago, I would have never thought I would be walking away from my first volunteer season of Kansas City Fashion Week with the realization that I could walk the runway… and then have the capacity and determination to do so.
I also didn’t think I would be walking in that show exactly a year later.
White translucent boots, fishnet tights, blue wig ‘n all.
Let’s back up: It is a little known fact that what I originally was pursuing in college was fashion design. I just didn’t know how to get there, and if I really wanted it. Was it really the design part of the industry I wanted? Though I made super crazy hodge-podge, ultra-colorful clothes in high school with scraps of fabric from my ma’s sewing bin, I didn’t have the patience for creating a well-made garment. (hence, pants made with one tight rear cheek while the other pathetically sags, and a crotch area that was all wrong were the result.) But I knew the fashion industry was one of the industries that made sense to me somehow (and for the sake of clarity, working in a Banana Republic store isn’t what I am talking about when I talk about working in the fashion industry).
Frankly, anything with a stage feels like home, but that’s another story for another time.
In my experience, anything in the artistic industries doesn’t necessarily have a clear set path, and those that are say, CPAs or attorneys or doctors or hotel managers, haven’t typically understood that. Though, I am sure they all mean well, and they just want me happy and thriving. I have gotten a lot of, “Well, what are you doing to make that happen?” which becomes exhausting. For me, it’s been mostly trial and error, making connections, using my gut, and “waiting for the right time” while working on my skills in the meantime (and mostly failing at it) with the limited extra time I have. These typically aren’t industries that provide consistent living means, so the main dream became the side dream out of necessity. And then the next question I have gotten is, “But if you love it, well then, why aren’t you doing it?”
And because I hadn’t quite figured out what I love exactly is or how to get there. All I know is where it is and that other people are somehow doing what I want to do, whatever that is.
It’s been a tough spot to live in; let alone, explain. Usually it’s come out as me sputtering something about, “I only know that I am made for it, but it hasn’t worked out for some reason yet.”
For me that has usually been followed by blank skeptical stares, and sometimes this comment:
“You’re a millennial who doesn’t know how to stick around to build a career.”
I HAD a job opportunity in a similar industry (music) 10 years ago, but the timing and opportunity wasn’t right, as much as I violently opposed that realization. I had to begrudgingly let it go, but not before, while in the middle of a dream being realized, my entire self ignited with purpose and with a resounding “Hell yeah, THIS IS WHAT I WAS MADE FOR.”
It was one of the hardest decisions of my life.
Time and numerous similar interactions with people had taught me to be quiet about my dreams. To disregard them. To downplay them. To second-guess them. To change the subject. To bury them. To cry myself to sleep over them. To silently die inside over them as the fire in me ironically continued to grow.
Any one feeling me over here??
This is not to point fingers; it’s simply the truth of my story. I know I am not alone in this struggle.
One of the best ways I can describe it is akin to putting a puzzle together.
Except most of the pieces are missing.
And the top of the puzzle box is blank.
And the pieces don’t seem to make sense and aren’t fitting together though some look like they should (my puzzle people feel me?).
Meanwhile, there are those that are effortlessly finding their puzzle pieces and have the tops of their puzzle boxes. Some are even almost done. These puzzle wizards are now either staring at you, leisurely sipping their victory tea and wondering out loud why you aren’t done, while others are telling you where to put the pieces.
But that’s not where that piece goes, and the pieces they are trying to force together don’t actually fit. But somehow you are being told that this isn’t being completed because you must be lazy, unrealistic, flighty or a failure.
When you know in your heart of hearts that’s not true. None of that bullshit is.
I am not lazy. I am not flighty. I am not a failure.
Neither are you.
I have not missed it.
Neither have you.
But fast forward to now…
The picture I always felt was there on the top of the puzzle box is being revealed, and it’s far more tremendous than I could have ever dreamt.
Can you see and feel it?!
Here I was with a realization as I watched those models walk last year: I can do this, and I would’ve never considered it before without seeing it, or honestly, without first going through two years of therapy.
This is just one piece to the puzzle for me.
After that light-bulb moment, I began soliciting advice and coaching from different models in the fashion industry last December, and I was taken aback by the willingness of the Kansas City fashion community to welcome me in and share with me. In between measuring models for last year’s Spring show tryouts, I practiced my walk with seasoned models. Took pointers. Learned the rules. (There are rules to runway modeling! Who knew?)
Then I went for it. I auditioned with my heart thundering out of my chest and with terror that had to have been evident on my face.
But I made the roster! This means that the KCFW committee saw my walk and headshot and allowed me to be a part of the pool of models that they would allow the designers to choose from.
I didn’t get picked up by a designer.
I started trying out for other shows. Terrified. But not as much as before. Slowly improving and always making the roster.
At my second tryout for another show I nearly fell over in my walk and gave a (truly) gruesome headshot, and somehow a designer (LV Swim) saw that hideous tryout and said, “I’ll take her.”
For that I am so grateful.
In preparation, I met up with a local model coach who has been in this industry for 18 years and is killing it: Walking multiple times for a long list of designers at Paris Fashion Week and fashion week’s all over the States; doing extensive print modeling; and sitting on various fashion boards, among other impressive accomplishments. (See below for the contact info for Noelle Manica, one of sweetest and most helpful human beings ever.)
I walked that first show this past April for LV Swim. Within five months, I have walked in four other shows, had a photoshoot for a local designer’s new line, and am currently waiting to hear if I got picked up by a designer in another show. I also started as an ambassador for an iconic KC gym. Watch for more on that soon!
Last Saturday, two other models volunteered their time to show me some more modeling pointers, coaching me through what to do in front of the camera, and how to perfect my walk. I couldn’t be more grateful. (Contact info for Heather and Jenn are below. Heather has been at this for a long time, and Jenn also doubles as a stellar photographer.)
This ain’t easy.
And my goodness, it is so scary. Sometimes fear and doubt have gotten the best of me.
But I am doing it.
The best part? I have people in my life who are supporting me and cheering me on.
This is just the tip of the iceberg, y’all. Buckle up.
Support your local women! Check out some of the talent and support I have the pleasure of knowing and have mentioned in this post:
LV Swim: Don’t go to Target; buy all things beachy-, sleepy- and comfy-wear from this local designer! Find her on Facebook at LV Swim and follow her on IG @lv_swim
Noelle Manica / The Model Board: For more info, for model coaching and to contact her, go to www.themodelboard.com, and follow her @the.model.board on IG
Heather: Follow her @heatherbcurvy at IG
Jenn Robbins: Check out her website www.jenniferrobbins.net/, contact her directly at firstname.lastname@example.org for further information, and follow her @jenn.a.robbins on IG
You might recall the first two Be Seen posts being more intense in nature. If you haven’t read those yet, I would encourage you to do so either now or well, later.
This was not like those previous two. Wanna see the pictures? Buckle up, because there are a lot of them.
I did not start modeling because I am already a pro; I started to become a pro.
My goal for this photo session with Larry was to work on poses. Contrary to popular belief, modeling is not easy. You have a lot to think about: Now, remember to stand up straight and to cross your legs as you walk, but not too much; wait, what is my hand doing here?; I should close my mouth a millimeter; Ok, there you go… tilt your chin slightly down; make sure to lengthen your leg; roll your shoulders back, but not too far back; give them a fierce look, or more like sexy fierce, but really like whimsy, PG-sexy fierce; and now relaaaaaxxxxx.
Still don’t believe me?
Start modeling as a 30-something among a bunch of 18 year olds or among models who have been nailing poses for the past decade and then tell me if you doubt yourself.
But your girl here is one strong-willed fighter (my mama can stand up and attest). I ain’t no quitter, and I am determined to get much better.
Because time is not a renewable resource.
Larry and I agreed to meet at the Filling Station on Gillham at 6:30 am. I am a sucker for good graffiti and old brick or industrial buildings. There are some good ones in this area.
6:45 am – still no Larry.
I text him, but there’s no answer. I am sure he just slept in accidentally, and that he would be getting my message soon. I decided to make the most of it, and to take pictures of myself on my phone, practicing what it looks like for me to be in front of the camera.
I sheepishly set up my phone out of sight of the windows of the Filling Station staff and of course, making sure to act totally natural when dog owners come out to walk their pups.
I pushed play on video and started to move.
I played around with poses, angles, and discovering what made sense for my face and body type. I used my oversized sweater as a prop (one of my finds from my latest time in Amsterdam), stretching it and seeing what I could do with it.
I had a lot of fun, though I felt kinda silly and like an imposter. But I know that I have to plow through this fear and these feelings of inadequacy if I am going to have any hope of getting past them.
NOTE: Blending in with the industrial and slightly grassy surroundings was totally unintentional.
Ultimately, finding out who I am behind the camera is a process and a personal conversation with myself.
Around 7:30 am Larry calls very upset with himself.
We all make mistakes. Be gracious and kindwhen others make them.
He drove out to meet me, and we rolled into the second photo shoot of the morning, coffees in hand.
Clearly, you can tell he has the better camera and the years of photographing experience. He moves, he moves me, and we move as the light changes.
Wanna give a little shout out to the garment strings on both my dress and sweater that unbeknownst to me made shameless appearances throughout this whole morning.
I was too nervous to get serious and work on poses now that someone was watching me. But this is okay too, because this is all in his style – completely candid.
He asked me to show him my runway walk. Interestingly enough, for the designers I have been scheduled to walk for since I began, I have only one show out of 5 where I wear heels. All the others, I am either barefoot or in boots. As a runway model, it’s been interesting to figure out my walk without traditionally wearing heels, figuring out creative ways to look good in pictures and on the runway.
In the long run, I think it’ll make me a better runway model.
[There are a few slideshows in this blog post, and I think that though it may be fun to look at each picture (and totally feel free to, because for some it makes sense to), it is also pretty fun to click through each quickly. It’s sorta like you can see me walking or talking.]
And a little more walking. This time with a little from behind.
Of course, intermingled with plenty of chatting. Because we are chatty people.
Seriously. I love graffiti. So, this backdrop just makes my heart happy. Creativity is everywhere, and it always seeks to have a voice. For me, I love the raw, boldness of graffiti; it’s unapologetic ability to make itself be heard. Some may think graffiti is violating or disgraceful, even if the work is commissioned; I choose to instead see a talented life behind the creation of it.
To me, there is no point in throwing the baby out with the bathwater. Life is a beautiful mess, and that’s just how it is. I am grateful to the artist who created this colorful bull behind me. I mean, look how much more fun these pictures are because of it.
We took an impromptu break and kept chatting. Or least, I kept chatting, and he just kept snapping.
If there are any smiling pictures in all of this, it is because I have purposely stopped talking long enough for a picture to be snapped.
Otherwise, I am usually laughing.
Or really engaged in something.
Can you spot the jogger?
Let’s all stop and have a passing-through puppy break. Aww….
And we wrap it up here. In front of this grandiose house on the corner.
Me and a moment with the bird. #edgarallenpoe
Have any favorite pictures? Not sure how you would be able to tell me which one(s) you liked the most, but you can sure try!
Lastly, remember that you are not doing yourself or the world any favors showing up as anything less than who you are and who you are created to be.